![]() All R8mm with slitting is 4 Plus weeks due to special handling requirements. We also offer same day rush processing service for ECN2 & B&W normal processing and expedited of E6 Printing or Push/Pull and other services, call for rush requests. Turnaround Times for fresh shot film for Cinelab normal processing and ready prepped previously processed film for scan (Typical) 35mm and 16mm 2-10 work days, 8mm 2-3 weeks Ektachrome E6 Color Reversal processing is 2-4 weeks, Push/Pull or Bleach Bypass will typically add significantly to turnaround time. Capable of blow down and blow up work plus a range of traditional VFX work, available as a service or for the DIY person who has a FX job they want to do. We also have a Producer’s Service 16mm / 35mm / VistaVision computer controlled optical printer formerly owned by famed LA FX man Harry Walton and used on shows like RoboCop and Indiana Jones. We can make workprint and timed 16mm and 35mm prints. We have a B&H 35mm panel printer will all optical sound heads. ![]() ![]() We offer Peterson 16mm wet gate and B&H dry gate 16mm printers. We are currently building a 35mm Cine-Mitchell 4K recorder based on the same tech as our 16mm recorder. Our second generation 2K 16mm Cine-Mitchell recorder built in house is now up and running featuring a Mitchell pin-reg transport and new software. We can print and rescan the digital recording to 2K or 4K or higher resolution. We offer Digital to Intermediate in 35mm currently. We are in Beta for Digital to Film to Digital “real film look creation” film services in 16mm and 35mm.Ĭinelab has two Arrilaser 2K/4K laser film recorders and an Imagica Imager HSR 2K 35mm recorder. ![]() Cinelab offers a full range of traditional film to film printing options and also both 16mm and 35mm digital to film services. ![]()
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